The paper analyses the use of the narrative technique of chougas in by Indian folklorist and storywriter Vijaydan Detha. The tale selected for the analysis is Kenchuli. Proceeding with the meaning of chougas, the paper also highlights its importance in folktales and its use by the storytellers throughout the world. The focus is on the metaphorical use of chougas (robes/skin) with the help of the protagonist’s struggle in ‘disrobing’- literally and metaphorically- to break out of her suffocating marriage. Further, the paper brings forth many layers of a woman’s mind and introspection on her own battle as explored in the story. It depicts the anxiety of the mind of Lachi arising out of the extremism of the landlord, Thakur, infatuated with her beauty, and his sycophant Bhoja, and the neglect of her husband Gujar. The end of the story carries the gravity of the title in a woman who breaks the social shackles, becomes free like a snake, coming out of the kenchuli, who wanders in exile in the whole world.

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Keywords: Detha, Chougas, Narratology, Folklore, Folktale, Gender, Metaphor.